YEP
‘Yep’ werkt meer hypnotiserend dan een metershoge stapel tranceplaten. — Gonzo Circus 1996
De absolute uitschieter is ‘Yep’, een simpele, repetitieve, meeslepende percussieloop met spaarzame maar uiterst doeltreffende bluesy gitaarlicks van Jean-Marie en hier en daar scratch interventies van DJ Donotask, aka DNA.
JMX is here to stay. — Plastiks 1996
YEP
POPSZ
TREMOL
CORSE
250 BPM Freestyle
BIG E
HELP !
TRACKS – written by:
- YEP Jean-Marie Aerts – DJ Donotask
- POPSZ Jean-Marie Aerts – Patrick Bylebyl – Philippe Comte – DJ Donotask
- TREMOL Jean-Marie Aerts – Hans Helewaut – DJ Donotask
- CORSE Jean-Marie Aerts – DJ Donotask
- 250 BPM FREESTYLE Jean-Marie Aerts – DJ Donotask
- BIG E Jean-Marie Aerts – Hans Helewaut
- HELP! Jean-Marie Aerts – Chico Hamilton
Jean-Marie and DNA had good times in the 8-track recording room!
GUESTS:
Philippe Comte (drums), Patrick Bylebyl (bass), Hans Helewaut (keyboards)
Chico Hamilton ‘These are the Dues’ sample on ‘Help!’
by courtesy of Tobasco Music/Joyous Shout!
Media releases:
In ‘Popsz’ trekt een ritmebox een pad voor Braziliaanse percussie en veelkleurig scratchwerk van DJ Donotask. — Knack 1996
‘Tremol’ and ‘Corse’ dig so deep into Jean-Marie’s bag of tricks, Amon Tobin et al should be on the phone pronto. — UK – Muzik 1997
‘Tremol’ is een dansvloer kraker van de eerste orde. — NL – Update 1997
Old skool but from a different background are the Corsican singers that style the mood for “Corse”. Besides their singing, the guitar makes an immediate impact with a bluesy intro that evolves into a deep and moody vibe. “250 BPM Freestyle” is a 9 minutes epic beginning as a minimalist and abstract tune, but via a mass of jazz flashes it turns into a freejazz and scratch orgy. The track “Big E” is built around a midtempo rhythm section with cockpit flashes, weird sound bits and a funky guitar. — NL – Fusebox 1997
There’s some serious talent at play here, each track rubs against the grain of normality. Deviant and different. — UK – Muzik 1998
De afsluiter ‘Help!’ is van grote kwaliteit. — NL – Opscene 1998